The Story of a Jib and a Balanced Lug

With Musings on a Lateen.

There was once a lonely Lug who didnt know what he was missing until he met Jib. He sailed to windward, off the beam and dead down, all with apparent equanimity.

Then one day Jib came along and spiced up his life. Now he had someone to get hung up on. Jib liked to languish on his yard and get tangled in his boom. Just the life for a Lug.
Jib had many fine qualities, but fast tacking was not one of them. More like a perpetual holiday for Jib.

Doryman has gotten used to having both of them around. Jib and Lug work well together. The occasional tangle of sheets, boom, leach and yard bother no one.

"Faerings arent suppose to have Jibs". "A balanced Lug and a Jib wont work on the same Boat.".

Let people talk. They are just jealous.

Thanks to Jamie Orr for the photos.

The inspiration for this sail combination came to me from David Oliver of the excellent blog, Lutes which celebrates the traditional fishing vessels of the Balearic Islands. The Balearic sailing rigs developed as a way to facilitate work on deck, while offering performance for navigation. David reminds us it is important to view these rigs as a tool for fishing to understand how they are used. There are types of working craft from around the world with provision for the same or similar sail combinations.

The lutes employ a lateen rig, yet by adding a jib far forward, windward performance is improved.

The addition of a mizzen on a retractable boomkin gives more sail options, not the least of which is the ability to strike that huge main, allowing more room to work. 

While the lateen can be mounted far enough forward to act as a jib and main combination, the option of a jib plus main is more versatile.


The balanced lug rig is very similar to the lateen in function. The ancient lateen is possibly the most beautiful sail in the world.


Davids blog is written in Catalan, but for those of us who have trouble with that complicated language, he offers a translator and we thank him for that! He owns a beautiful lute and its a treat to see one under sail. I recommend a long visit to Lutes.

Read More..

A Young Sailors Story

Following is a story, in her own words, of a young womans adventure in her familys Iain Oughtred dory, Lively. Holli is obviously smitten by boating, and up to the challenges. Immediately following the squall she describes, she rowed the boat about two miles back to the dock. I was so impressed by her skills, I captured her rowing technique in the video below, for your viewing pleasure.

The Power of the Wind

I struggled to hold onto the jib. The sails flapped and jerked, trying to escape. I gritted my teeth and pulled again. If only I could tie the lines to the cleat hitch attached to the mast, and not send Lively, and her occupants, into the water. How did I get into this predicament? Well, the easiest place to start, by far, is the beginning…

My dad and mom took my sister and I to Twanoh State Park, for the Traditional Small Craft Association’s (TSCA) Oyster Messabout. While we waited for Dad to rig up Lively, our handcrafted wooden sailing dory, we talked to the others in the area, scouted out the area, found shells in the area, and assisted him.

After a half an hour or so, my dad, my sister, and I loaded in, and Lively is set afloat. My mom decided to stay behind and catch up on some reading. The cool, crisp breeze and to plop, plop of Dad and I’s oars hitting the water was a perfect, calm prologue to the rather wild, exciting sail we are about to undertake. After awhile, however, it began to rain.

You can imagine my excitement when Dad had me help raise the sails, placing me in full command of the jib. As he pulls on the main and sprit halyards, I pull up the jib. Suddenly, the wind grabs the sails and off we go!

I struggled to hold onto the jib. The sails flapped and jerked, trying to escape. I gritted my teeth and pulled again. If only I could tie the lines to the cleat hitch attached to the mast, and not send Lively, and her occupants, into the water. I tugged on lines again, bracing myself. I’ll have rope burns for a week! After one final pull, I managed to hook the cleat, tying it off. Before I knew it, we were heeling at a very dangerous angle, but that only gave me more pleasure.

Suddenly, we hit a strong and very wet squall; a sudden powerful gust of wind with a front of rain. We heeled so far we took in water, more shocking us then doing much harm. Over the din of rain slapping the deck, water lapping over the sides, and startled squeals, Dad commanded me to take in the jib. Having rehearsed the exact maneuver on land, I swiftly did so, and then helped him reef the sails. When Dad and I controlled our assigned sails, my sister acted as coxswain. Though when we hit the squall, my sister was released of her duties, and she settled down on the bottom of the dangerously tilting boat as ballast. Soon though, due to the part of Dad’s splendid captaining and the fact the wind decided to give us a break, we soon righted ourselves and continued to shoot back and forth across the southern part of Hood Canal.

The wind blows in my face and water sprays my back as we go faster, faster, and faster still. The speed was so exhilarating, the choppy water so enchanting, the air so fresh and clean; not to mention cold, salty , and wet; nothing could ruin my perfect mood. I was so proud of Lively. Pity I couldn’t hear what the people on shore had to say.

The wind quit suddenly on us and it began to rain again. By now, everyone was hungry so we rowed back into the boat launch. We greeted the TSCA members and my mom as the boat reached the dock. I hopped out as plans were made. We were going to have lunch in the covered area and conversationalize. As I met and talked to some very nice people, my mind continually strayed back out onto the water. What a pleasure it was! One of the times my whole family will always remember in years to come.

By Holli Welcker
Age Thirteen
  Holli at the Oars from doryman on Vimeo.

Keep up the good work, Holli. You go, girl!
Thank you very much, for this fabulous story.

Hollis dad has this to say about the family boat:

" Lively is a dory, in the Swampscott style.  The designer, Iain Oughtred, calls the design "John Dory".

"We use Lively for both sailing and rowing.  This past summer was more heavily concentrated on rowing, training the "crew" to row double for competition.  We entered the Port Townsend Wooden Boat Festival rowing race and managed to finish the long course when half the fleet dropped out.  Holli and I rowed double while Franci coxd.  It was lots of fun."

Best regards from the Lively crew:
Kent Welcker
Holli Welcker
Franci Welcker
and Lori too!

Watch for the Welcker family on the waters of the Salish Sea.

Read More..

My flats boatbuilding story from 1982 through how Hells Bay Boatworks started

I wrote the story of how I got started in the flats boat world 5 years ago. I did this for two reasons. The first was that my daughters wanted me to tell, explain my side of the story as so much miss information and tales were being told that were not near the truth. Of course I want all of you to know that this is my version of what I incountered. I have kept records of most all the boats that I have built and most all information. In regards to my time at HBBWs I have every fax and piece of correspondence from my time working with Hal and Jamie Chittum along with Flip Pallot. In essence I have documentation of my intire time at HBBWs from before it started through the buyout of my shares of HB. This was before emails.

I have a very extensive photo and paper trail to corroborate my side of the story. Iam publishing this in detail as so many skiff owners would really like to know the true history of their skiff. 

The second reason I have put my tale to print is to show the public that a great vison can start and come to fruition with a very simple idea. I want to show you here that that in my career I have done well in my way by working very hard and having good common sense to look at projects with eyes wide open holding no prejudices towards the vision. By this I mean that I love all types of boats and have used this observational and real practical use to help me in thinking and creating outside the box.

This is the story of a high school dropouts journey in the flats boat world up to designing and building the Whipray flats skiff.

I have added photos to this post now as when I first published it I had not been able to get these pictures online. 

This story starts in 1982 on the island of Islamorada in the Florida Keys.  It was at Bayside Inn Marine where I met Hal Chittum who led me into this interesting niche of the boating market. First, in order to properly understand how this story came to be I must start at the beginning of my life on the sea.

Here I am building the tiki hut at what was Bayside Inn Marina in 1982.

I dont know if World Wide Sportman tore this down when they built Bass World there.

Go back to 1973 and you will find me at age 14. My parents have sold all of their possessions, have purchased a 36’ wooden Gaff Rigged Ketch and have the idea of sailing to Florida from San Diego, California. 

Our familys ketch sailing in the San Blas islands in Panama enroute to Florida in 1976

A few years later we arrived in Tarpon Springs. Go to 1976, Stamas Boats hired me to work in Research and Development. I was to be the helper of two old Florida boat builders in building all the plugs, molds and patterns for the line of Stamas Boats. I was 18 at the time and fell into an apprenticeship that would guide me throughout my boatbuilding career.

Kenny Karnu and Richard Stauffer took me under their wings and taught me how to channel my perfectionist nature into honing my skills at being a plug and mold builder. The most important lesson that they taught me was that with a clear vision of the finished product the process of building a mold could become very efficient. In the process of creating a concept it is crucial to keep things simple for if you add in too many designers and idea guys the process can easily become disjointed and go off in too many directions. Thanks to good fortune I have had the opportunity to put this into practice as I worked on many projects for many interesting people.

After a year in service to Stamas Boats, I left on my 18 foot, 10 year old plywood sloop passing through the Keys and then on to the Bahamas. It was 8:00 at night on December 3, 1977 when returning to the Bahamas my little sloop, Bilbo Baggins struck something as I neared the halfway mark in the Gulf Stream. Within minutes my sloop had sunk leaving me swimming, alone, without a dinghy only one fin, and a spear to defend myself. I swam for 20 hours and ended up 45 miles up the coast in Biscayne Bay as the sun set. The only person I knew in Florida to call at the time was living Key Largo which is how I ended up, within a week of losing everything I owned, working at Glander Boats, located in Key Largo. This job led to many others.

My 18 plywood sloop Billbo Baggins sailing off the Berry Islands in the Bahamas

Painting the bottom on the tide in Pipe Creek in the Exumas

By 1982 I was married to Lawanda Lillis and living aboard our own built sloop in “Little Basin” in Islamorada. This area is now owned by the World Wide Sportsman Company. We both worked at Bayside Inn Marina for Ray Dye, lawanda in the office and the yard,with me fixing,painting and repairing all that came through the place. Try to picture Islamorada in the early eighties. The Lorralie Restaurant had two sailboats anchored off it, Little Basin had a small dock and the number of fishing guides could be counted on your fingers.

Building our sloop "Shellan" next to what was then called the Sea Lark building in Islamorada. I built the hull when working for Glander boats after my little sloop sank.

Lawanda at the helm as we sail out to Florida Bay from Lews Marina which was next to Maxs Marina 

In Islamorada. 

Fitting deck beams to a 32 cutter that I was helping to build as project leader working for Dave Calvert in the Sea Lark Building.

Some statistics;

From 1977 to 1982 I had built for myself and others a total of 17 boats from 16 feet to 60 feet and I had logged 10,400 ocean sea miles under sail on my own boats.

Building a rowing dory in the evenings in what is now the main check out place in World Wide.

I love to sail, cruise, explore and fish. My passion was and is all kinds of boats from sail to power. At that time I knew of Flats Fishing but had no desire to own or build a skiff when I could have a great time sailing off to anchor and go fishing in my dinghy.

The only fishing guide I knew at that time was Tony Lay who kept his side console Hewse Bonefisher without a tower at Bayside Inn.

This all changed when Ray Dye introduced me to Hal Chittum. Hal had a project for me to do. He and Eddie Whiteman had purchased two Mako 18 foot flats boat hulls with bait boxes on the transoms and had tried to get a custom builder in Miami to build the interiors and finish them out. The boats had the 17 Mako sheer cut down to Flats boat height with flush decks and simple drain  channels but had ¼ inch copper tubing for the drains. The boat amenities consisted of a forward hatch, main hatch bait well and a sump hatch. Cockpits were self bailing.

Eddie Whitman finished his skiff himself. The hull was solid glass and everything else was glassed over plywood with decks and hatches plywood cored. The finish was raw, the boat was a wreck and it weighed a “ton”. Hal was a busy guide so he gave me the project to finish. My quote to him was within an hour’s time of completion. Ray Dye rigged the boat.

Hals mako ready to paint the insides

This project got me talking with Hal about the guiding industry. Being a sailor, getting about on engineless sail boats and having designed and built some small rowing and sailing boats I told Hal in one of which has turned into one long discussion of what if, what about. I told Hal that in the sailing world where races are won by seconds that the state of the art is in building in foam core in construction with better quality materials. I said I could build the same skiff weighing ? less than his present skiff. He then could use a smaller engine, save on fuel, and would be easier to pole. It would float higher of course in shallow water but at that time it did not seem to be such a big deal. Hal asked if I would be interested in doing this.

“yes of course” what a challenge!

Two days later he came back with 3 clients for me to talk to; Charles Causey, Bert Sherb and Dick Negly.

Within the month Lawanda and I had quit our jobs, rented a commercial house next to Campbell’s Marina in Tavernier in Key Largo from Stu Marr and opened shop as BACK BAY BOATS. This was 1982, I was 25 and Hal was 31 years old.

My observations at the time of the skiffs that were about;

Shy Poke:

A grey coloured, deep vee skiff, heavy, no dry lockers but had a good ride. Billy Knowles had one.

Hewes Bonefisher:

Obviously it was a knock off of a lapstrake ski boat. The bottom had a built-in trim tab hook. The boats were built with solid glass hulls and the decks were cored with plywood.They had wooden carpet covered floors and wood glassed over stringers. No dry lockers and were heavy. Tony Lay had one.

Cuda Craft:

A very shallow soft vee at the stern with conventional chines. A simple glass interior. I was told they slid in a turn. A basic, plain skiff with classic looks.

Dolphin Skiff - Dave Exley:

This boat hull developed by Exley was at the time a crude open skiff built in Homestead. It was very heavy with a rough finish, had no dry storage and a deep draft. It was a good camp rough and ready skiff at that time. They ran great but were tippy.They made no noise,but nobody was thinking of that then.Except Steve Huff and Harry Spear.

Fiber Craft:

A long, lean but massively layed-up hull. This very heavy skiff had a rounded bow and a very narrow spray rail at mid point of topsides but not big enough to really work. I kept in mind some of these points to my future designs. Davie Wilson built his own Fiber Craft skiff.

Sidewinder Skiff - Bass Boat Type:

I made a custom deck for Carl Naverrae with a side console. Deep vee.Similar to a Shypoke

Willy Roberts

Willy and I became friends while I had  my shop in Tavernier. It was my dream to have a shop equal to his. He was building fiberglass boats at this time molded from his plywood designs.I do not remember if he used foam core at this time or balsa core. At the time they were a classic.

Maverick - Lenny Berg:

The 18 ft was a big deep vee boat with a good conventional flats boat deck and interior. I was told it had a great ride, was wet, poled like a tank and made lots of noise. Hank Brown used to hang a piece of carpet over the bow to stop the noise.

Challenger:

These little skiffs were custom made from existing hulls that were originally little play boats. They had a very flat run that flowed into a rounded bow shape. It was originally designed to sit in and sport around in with a wheel forward.To make the boats work for fishing. The owner’s fitted spray rails low aft, near the water and high in the bow. The boats were heavy and tippy. I think of them like bass lures with metal cheeks wobbling along. They have a loyal following. I learned from this design and incorporated much of what I learned into my future designs. They had an offshoot of this called the WIND RIVER SKIFF.

Action Craft:

It had sloping outboard side decks and a very sharp angular look with a moderate vee bottom. To me it was very ugly.Action Craft started their company in 1983 with this boat using a foam in its deck core.

Mako 18 Experimental:

As explained earlier the 18 was a cut down 17 Mako on the sheer, with bait boxes added. The Mako construction had wood stringers, plywood or balsa cored, foam filled with chop and roving construction. This was a very heavy way to build yet standard practice at the time. The boat slid in a turn.

John Boats:

Well, there is nothing more classic and simple than this flat bottom skiff in wood or aluminum or glass. The boats would still rule if everybody was not in a such a great big fucking rush.

This is my opinion from my perspective at that time. There were a sprinkling of other one off boats as well. Billy Pate had a monster built from the Shypoke hull style. There were little cold mold

Read More..

Langganan: Postingan (Atom)